Friday 1 March 2013

From the chute to I am Kloot

Friday 15th February 2013

It was still half term and I decided to take the boys to another Soft Play Centre, in Bramhall.  We caught the 378 bus to Bramhall roundabout, then walked along a busy road before taking a turn up a smart residential road. It seemed to tail off before unfurling as a steep road leading up to Stockport’s Rugby Club with its accompanying pitches.  The Soft Play Centre looked a tall but not expansive building from the outside but inside they make great use of its height for several tiers of soft padded climbing apparatus that leads to its tunnel slides.  All the tables looked on to these and it was easy to sit down and keep an eye on what was going on.  Both boys seemed to enjoy the facilities and Sam had no problems in navigating the stuff for older kids. 
Tonight I was going to see the band I am Kloot at the Manchester Ritz.  My ticket listed a 6:30 start and a 10pm curfew yet half hour into this time, I found myself doing the ‘my body –outside’ jigsaw with the boys.  After their baths, and pyjamas, I got away.  I joined the queues at the Manchester Ritz at 8:35 finding myself not to be the only non-early bird.  Support act, Jesca Hoop, was playing her last song. 
Before me in the queue to get in were some attractive ladies.  A guy at the entrance offered them tickets for the gig’s after show party.  Then I went through without any such offer before the couple behind me were given tickets.  The place was packed, as Manchester gigs always are with this band.  I recall first seeing them in 2001 in a similarly packed venue on the back of their 117 chart placing album Natural History.  Tonight has been an added night after the previous night’s date here sold out quickly.  I appreciated this addition – I’m never especially quick out of the blocks to buy tickets.

That early line up played scuffly songs with first hand lyrics about fallen characters. Those characters are still there but, in recent years, the music has been enhanced – brass, keyboards and another rather good and aptly hirsute guitarist.  Main man Johny Bramwell has an instantly recognisable cut throat vocal style which doesn’t need to flex itself out to full capacity.  His former life as a Johny Dangerously appears to have stood him in good stead for the between song banter but, as often is the case with comedians, this can bring shouty hecklers (which possibly weren’t so much in evidence on the first night with its audience of conscientious swift purchasers).  A rumination on the £18:50 ticket price is cut short by someone shouting something indecipherable and we never know what such a grounded band have to say on this ticket price.
They released their new LP Let them all in in the week that HMV went into administration.  The store stopped receiving new releases such as I am Kloot’s new LP, but even so the album hit the Top 10.  They start the set with some old classics From Your Favourite Sky and Autumn Rain. There’s newer songs with these musical enhancements.  Things get intimate, when the other members leave the stage, and Bramwell plays some solo numbers. With a full band the songs can take a crashing rocky turn with some flashing lights embellishments.  A favourite of mine is Hey Little Bird from the Moolah Rouge LP named after a Stockport recording studio.

I watched their contained set and then left.  I’d guess that there was more but I was feeling the loudness of it all and my head was aching.  I think this morning’s visit to a soft play centre contributed towards this (I read one review of the centre that said ‘My biggest problem was the noise level…I had a splitting headache after half an hour and it wasn’t even half full).  A full soft play centre and full concert venue was especially grating on the ears.